In order to highlight the intertextual game that Giacinto Andrea Cicognini creates in it L’amorose furie d’Orlando with Angélica en el Catay by Lope de Vega, a hypothesis vented but not demonstrated by Gobbi in an ancient critical essay, it is necessary to read and reread the two comedies without losing sight of the octaves of Ariosto with a meticulousness that, until now, no one had believed necessary to put in place, perhaps because in both cases we are not faced with absolute masterpieces. In any case, if it is true that certain images and phrases can fall into the category of literary interdiscursiveness, which goes beyond the two plays analyzed, the fact remains that the numerous similarities identified cannot be the result of chance.
University of Piemonte Orientale, Italy - ORCID: 0000-0002-9537-8182
Titolo del capitolo
L’amorose furie d’Orlando de Giacinto Andrea Cicognini y el teatro de abolengo ariostesco de Lope de Vega: una cuestión crítica pendiente
Autori
Marcella Trambaioli
Lingua
Italian
DOI
10.36253/978-88-5518-150-1.11
Opera sottoposta a peer review
Anno di pubblicazione
2020
Copyright
© 2020 Author(s)
Licenza d'uso
Licenza dei metadati
Titolo del libro
Ricerche sul teatro classico spagnolo in Italia e oltralpe (secoli XVI-XVIII)
Curatori
Fausta Antonucci, Salomé Vuelta García
Opera sottoposta a peer review
Numero di pagine
510
Anno di pubblicazione
2020
Copyright
© 2020 Author(s)
Licenza d'uso
Licenza dei metadati
Editore
Firenze University Press
DOI
10.36253/978-88-5518-150-1
ISBN Print
978-88-5518-149-5
eISBN (pdf)
978-88-5518-150-1
eISBN (epub)
978-88-5518-151-8
Collana
Studi e saggi
ISSN della collana
2704-6478
e-ISSN della collana
2704-5919