Work plays a central role in the reflections of William Morris. According to Morris, industrial society is based on an organization of labor that debases the human being, reduced to a machine among machines, while art and beauty are destined for a select few. This was not the case in the Middle Ages, where every craftsman was also an artist. Morris then proposes a return to the pre-industrial organizational model, based on an idea of work practical and theoretical, collaborative, creative, in order to restore dignity to workers and allow everyone to experience the beauty of art, even in the humblest of jobs and products made. The paper highlights the main theoretical nodes of the author's thought, highlighting in the conclusion its main critical issues and insights for today.
ADAPT-Association for International and Comparative Studies in Labour and Industrial Relations, Italy
Titolo del capitolo
Il lavoro come arte: William Morris e la riscoperta del lavoro artigiano
Autori
Matteo Colombo
Lingua
Italian
DOI
10.36253/979-12-215-0319-7.78
Opera sottoposta a peer review
Anno di pubblicazione
2024
Copyright
© 2024 Author(s)
Licenza d'uso
Licenza dei metadati
Titolo del libro
Idee di lavoro e di ozio per la nostra civiltà
Curatori
Giovanni Mari, Francesco Ammannati, Stefano Brogi, Tiziana Faitini, Arianna Fermani, Francesco Seghezzi, Annalisa Tonarelli
Opera sottoposta a peer review
Numero di pagine
1894
Anno di pubblicazione
2024
Copyright
© 2024 Author(s)
Licenza d'uso
Licenza dei metadati
Editore
Firenze University Press
DOI
10.36253/979-12-215-0319-7
ISBN Print
979-12-215-0245-9
eISBN (pdf)
979-12-215-0319-7
eISBN (epub)
979-12-215-0320-3
Collana
Studi e saggi
ISSN della collana
2704-6478
e-ISSN della collana
2704-5919