In my contribution, I analyse Dai Tōkyō hanjōki (Chronicles of Great Tokyo Flourishing, 1927) in an attempt to identify the salient features of a composite narrative pertaining to the Great Kantō Earthquake (1923) and the subsequent urban reconstruction efforts, as crafted by influential figures within the intellectual and artistic milieu. I intend to show how certain authors within the collection juxtaposed or contrasted the elegiac tones with the intent of not only documenting the earthquake's impact on the urban landscape but also engaging in a critique of the ongoing social and cultural transformations. This tendency is observed, albeit sporadically and not always systematically, as a nod to the tradition to which the collection explicitly refers, that of hanjōki. This tradition is characterised by prioritising the subjective and critical perspective on urban and societal phenomena over the principles of pragmatic utility and objectivity.
University of Naples L'Orientale, Italy - ORCID: 0000-0002-2645-003X
Titolo del capitolo
Cronache di una ricostruzione: Dai Tōkyō hanjōki (1927) e la Tokyo post-terremoto
Autori
Gala Maria Follaco
Lingua
Italian
DOI
10.36253/979-12-215-0422-4.15
Opera sottoposta a peer review
Anno di pubblicazione
2024
Copyright
© 2024 Author(s)
Licenza d'uso
Licenza dei metadati
Titolo del libro
Il dono dell’airone
Sottotitolo del libro
Scritti in onore di Ikuko Sagiyama
Curatori
Luca Capponcelli, Diego Cucinelli, Chiara Ghidini, Matilde Mastrangelo, Rolando Minuti
Opera sottoposta a peer review
Numero di pagine
390
Anno di pubblicazione
2024
Copyright
© 2024 Author(s)
Licenza d'uso
Licenza dei metadati
Editore
Firenze University Press
DOI
10.36253/979-12-215-0422-4
ISBN Print
979-12-215-0421-7
eISBN (pdf)
979-12-215-0422-4
Collana
Connessioni. Studies in Transcultural History
ISSN della collana
2975-0393
e-ISSN della collana
2975-0261