Listening to The Orchard: Rethinking the Sound Aspect of Chekhov’s Play in Japanese and Italian Productions. The best dramatists write plays in such a way that the performance can realize the deep meaning of the sound aspect of the original text. In the belief of theatrical art, sound is much closer to tangibility than appearance. Using The Cherry Orchard by A.P. Chekhov as an example, the article examines the role and significance of distinct types of “live sound” that figure out the theatricality of a literary text and its concept. For comparative analysis, well-known Japanese and Italian performances based on The Cherry Orchard in the second half of the 20th century and early 21st centuries are compared.
Sophia University, Tokyo, Japan - ORCID: 0009-0008-1888-5202
Titolo del capitolo
Слушая Сад: переосмысление звуковых аспектов чеховской пьесы на примере японской и итальянской постановок
Autori
Shin’ichi Murata
Lingua
Russian
DOI
10.36253/979-12-215-0238-1.06
Opera sottoposta a peer review
Anno di pubblicazione
2023
Copyright
© 2023 Author(s)
Licenza d'uso
Licenza dei metadati
Titolo del libro
The Reception of East Slavic Literatures in the West and the East
Curatori
Shin’ichi Murata, Stefano Aloe
Opera sottoposta a peer review
Numero di pagine
326
Anno di pubblicazione
2023
Copyright
© 2023 Author(s)
Licenza d'uso
Licenza dei metadati
Editore
Firenze University Press
DOI
10.36253/979-12-215-0238-1
ISBN Print
979-12-215-0237-4
eISBN (pdf)
979-12-215-0238-1
eISBN (epub)
979-12-215-0239-8
Collana
Biblioteca di Studi Slavistici
ISSN della collana
2612-7687
e-ISSN della collana
2612-7679