1. Burrell, R., and A. Coleman. 2005. In Copyright Exceptions: The Digital Impact, 80 sg. Cambridge: Cambridge University Press.
2. Chevallier, J. 2008. “Droit et mémoire.” In Mélanges Andrée Lajoie, 1 sg. Montréal.
3. Christie, A., and R. Wright. 2014. “A Comparative Analysis of the Three-Step Tests in International Treaties.” International Review of Intellectual Property and Competition Law: 409 sgg.
4. “Declaration on a Balanced Interpretation of the Three-Step Test in International Copyright Law.” 2008. International Review of Intellectual Property and Competition Law: 120 sgg.
5. Favale, M., F. Homberg, M. Kretschmer, D. Mendis, and D. Secchi. 2013. Copyright, and the Regulation of Orphan Works: A Comparative Review of Seven Jurisdictions and a Rights Clearance Simulation. UK Intellectual Property Office.
6. Ficsor, M. 2004. Guide to the Copyright and Related Rights Treaties Administered by WIPO and Glossary of Copyright and Related Rights Terms. Ginevra.
7. Geiger, C. 2007a. “From Berne to National Law, via the Copyright Directive: The Dangerous Mutations of the Three-Step.” European Intellectual Property Law Review: 490 sgg.
8. Geiger, C. 2007b. “The Role of the Three-Step Test in the Adaptation of Copyright Law to the Information Society.” e-Copyright Bulletin: 15 sg.
9. Geiger, C., D. Gervais, and M. Senftleben. 2013. “The Three-Step Test Revisited: How to Use the Test’s Flexibility in National Copyright Law.” PIJIP Research Paper 2013-04: 7 e 41.
10. Gervais, D. 2005. “Towards a New Core International Copyright Norm: The Reverse Three-Step Test.” Intellectual Property Law Review: 16 sgg.
11. Goldstein, P., and P. Bent Hugenholtz. 2019. International Copyright – Principles, Law, and Practice. Oxford: Oxford University Press.
12. Griffiths, J. 2009. “The ‘Three-Step Test’ in European Copyright Law – Problems and Solutions.” Queen Mary School of Law Legal Studies Research Paper 31: 2 sg.
13. “Guide to the Berne Convention for the Protection of Literary and Artistic Works (Paris Act, 1971).” 1978. Ginevra: WIPO.
14. Halbwachs, M. 1950. La mémoire collective. Parigi.
15. Herman, A. 2014. “The Year of Living Exceptionally: New Copyright Exceptions in UK Law.” Art Antiquity and Law: 304 sgg.
16. Hilty, R., C. Geiger, and J. Griffiths. 2008. “Towards a Balanced Interpretation of the Three-Step Test in Copyright Law.” European Intellectual Property Law Review: 489 sgg.
17. Hugenholtz, P. B., and R. Okediji. 2008. “Conceiving an International Instrument on Limitations and Exceptions to Copyright – Final Report.” Amsterdam Law School Research Paper 43: 21 sgg.
18. Hugenholtz, P., and M. Senftleben. 2012. “Fair Use in Europe: In Search of Flexibilities.” Amsterdam Law School Research Paper 39: 18 sg.
19. Levi, P. 1982. “Il difficile cammino della verità.” La Rassegna Mensile di Israel 48: 5 sgg.
20. Okediji, R. 2006. The International Copyright System: Limitations, Exceptions and Public Interest Considerations for Developing Countries. Ginevra: International Centre for Trade and Sustainable Development.
21. Pessach, G., and M. Shur-Ofry. 2018. “Copyright and the Holocaust.” Yale Journal of Law & the Humanities: 132 sgg.
22. Phillips, J. 1986. “The Berne Convention and the Public Interest.” Columbia-VLA Journal of Law & the Arts 11, 1: 165-82.
23. “Promoting the Use of Orphan Works: Balancing the Interests of Copyright Owners and Users: Hearing Before the Subcomm. on Courts, the Internet, & Intellectual Prop. of the H. Comm. on the Judiciary.” 110th Cong. 62. March 13. 2008.
24. Ricketson, S., and J. Ginsburg. 2022. International Copyright and Neighbouring Rights. Oxford: Oxford University Press.
25. Ricoeur, P. 2000. La mémoire, l’histoire, l’oubli. Parigi.
26. Saxena, A., e K. Mishra. 2019. “Use of Orphan Works in Derivative Works: Towards a Model Framework.” Maharishi Journal of Law and Society: 162 sgg.
27. Schwartz, E. 2014. “An Overview of the International Treatment of Exceptions.” PIJIP Research Paper 2: 3 sg.
28. Senftleben, M. 2004. Copyright, Limitations and the Three-Step Test: An Analysis of the Three-Step Test in International and EC Copyright Law. Amsterdam.
29. Senftleben, M. 2010. “The International Three-Step Test: A Model Provision for EC Fair Use Legislation.” Journal of Intellectual Property, Information Technology and Electronic Commerce Law.
30. Senftleben, M. 2016. “WIPO Copyright Treaty (WCT).” In Concise European Copyright Law, edited by T. Dreier, and P. Hugenholtz, 130 sgg. Alphen aan den Rijn.
31. Senftleben, M. 2020. “From Flexible Balancing Tool to Quasi-Constitutional Straitjacket – How the EU Cultivates the Constraining Function of the Three-Step Test.” In The Transformation of Global Intellectual Property Protection, edited by T. Mylly, and J. Griffiths. Oxford.
32. Sun, H. 2007. “Overcoming the Achilles Heel of Copyright Law.” Northwestern Journal of Technology and Intellectual Property 3: 309 sgg.
33. Thor Tureby, M., and K. Wagrell. 2020. “Digitization, Vulnerability, and Holocaust Collections.” Santander Art & Culture Law Review: 87 sgg.
34. Zemer, L., e A. Lior. 2021. “Art and Copyright in Ghettos and Concentration Camps: A Manifesto of Third-Generation Holocaust Survivors.” Georgetown Law Journal: 822 sgg.
35. Zemer, L., e A. Lior. 2022. “Inhuman Copyright Scene: The Forgotten Law of Art in the Holocaust.” Utah Law Review: 355 sgg.

Chapter Information

Bibliographic Information