1. Amendola, Amalia M. 2006. L’isola che sorprende. La narrativa sarda in italiano (1974-2006). Cagliari: CUEC.
2. Bagnoli, Paolo. 2007. L’idea dell’Italia. 1815-1861. Reggio Emilia: Diabasis.
3. Blissett, Luther. 1999. Q. Torino: Einaudi.
4. Bouchard, Norma, edited by. 2005. Risorgimento in Modern Italian Culture: Revisiting the Nineteenth-Century Past in History, Narrative, and Cinema. Madison-Teaneck: Fairleigh Dickinson University Press.
5. Bouchard, Norma. 2005. “Reopening the Risorgimento Archive: Spectrality and Utopia in Antonio Tabucchi’s Piazza d’Italia.” In Risorgimento in Modern Italian Culture: Revisiting the Nineteenth-Century Past in History, Narrative, and Cinema, edited by Norma Bouchard, 174-191. Madison-Teaneck: Fairleigh Dickinson University Press.
6. Browne, Ray B., and Lawrence A. Kreiser Jr. 2000. The Detective as Historian: History and Art in Historical Crime Fiction. Bowling Green: Bowling Green State University Popular Press.
7. Cento Bull, Anna. 2000. “Challenging the Nation State: The Northern League between Localism and Globalism.”In The Politics of Italian National Identity, edited by Gino Bedani, and Bruce Haddock, 259-279. Cardiff: University of Wales Press.
8. Chu, Mark. 1998. “Sciascia and Sicily: Discourse and Actuality.” Italica 75, 1: 78-92.
9. Fois, Marcello. 1999. Ferro recente. Torino: Einaudi.
10. Fois, Marcello. 2001. Dura madre. Torino: Einaudi.
11. Fruttero, Carlo, e Franco Lucentini. 1972. La donna della domenica. Milano: Mondadori.
12. Ginzburg, Carlo. 1979. “Spie. Radici di un paradigma indiziario.” In Crisi della ragione, a cura di Aldo Gargani, 57-106. Torino: Einaudi.
13. Haddock, Bruce. 2000. “State, Nation and the Risorgimento.” In The Politics of Italian National Identity: A Multidisciplinary Perspective, edited by Gino Bedani, and Bruce Haddock, 11-49. Cardiff: University of Wales Press.
14. Marras, Margherita. 2007. “Connessioni e rilettura delle dinamiche politiche nazionali e regionali nell’opera di Marcello Fois.” Narrativa 29: 81-94.
15. Milanesi, Claudio. 2006. “Le roman criminel et l’histoire. Introduction.” Cahiers d’études romanes 15, 1: 9-19.
16. Moe, Nelson. 2001. “ ‘This is Africa’: Ruling and Representing Southern Italy, 1860-1861.” In Making and Remaking Italy. The Cultivation of National Identity around the Risorgimento, edited by Albert R. Ascoli, and Krystyna von Henneberg, 119-153. Oxford-New York: Berg.
17. Moe, Nelson. 2002. The View from Vesuvius: Italian Culture and the Southern Question. Berkeley-Los Angeles-London: University of California Press.
18. Petronio, Giuseppe. 2000. Sulle tracce del giallo. Roma: Gamberetti.
19. Pezzotti, Barbara. 2012. The Importance of Place in Contemporary Italian Crime Ficton: A Bloody Journey. Madison-Teaneck: Fairleigh Dickinson University Press.
20. Pezzotti, Barbara. 2014. Politics and Society in Italian Crime Fiction: An Historical Overview. Jefferson: McFarland & Co.
21. Pezzotti, Barbara. 2016. Investigating Italy’s Past through Historical Crime Fiction, Films, and TV series: Murder in the Age of Chaos. New York: Palgrave MacMillan.
22. Prunster, Nicole. 2008 (2007). “Poliphony in Andrea Camilleri’s Il birraio di Preston.” Spunti e ricerche 21: 51-61.
23. Rumi, Giorgio. 2004. “Ma lo storico non è buonista né giustiziere.” Il Corriere della Sera, 6 ottobre, 2004.
24. Schneider, Jane, edited by. 1998. Italy’s “Southern Question”: Orientalism in One Country. Oxford: Berg.
25. Siviero, Massimo. 1999. Il terno di San Gennaro. Un giallo tutto napoletano. Napoli: Lo stagno incantato.
26. Soria, Piero. 1999. Cuore di Lupo. Milano: Mondadori.
27. Soria, Piero. 2001. La donna cattiva. Milano: Mondadori.
28. Von Hennegberg, Krystyna, and Albert R. Ascoli. 2001. “Nationalism and the Uses of Risorgimento Culture.”In Making and Remaking Italy. The Cultivation of National Identity around the Risorgimento, edited by Krystyna Von Hennegberg, and Albert R. Ascoli, 1-23. Oxford-New York: Berg.

Chapter Information

Bibliographic Information