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Performing the «miasma» of Indian Partition. Terror and romance in Howard Brenton’s Drawing the Line

  • Elena Anna Spandri

Originally performed at London Hampstead Theatre on 3 December 2013, Howard Brenton’s Drawing the Line dramatizes the Partition of India in two distinct nation-states after the Independence in a lush production that highlights personal conflicts and deflates the genocidal implications of the event that changed the future of the Subcontinent. The essay situates Drawing the Line in the context of Brenton’s lifelong engagement with historical theatre and reflects upon the aesthetic and political significance of the marginal role assigned to violence in the drama. It argues that the play performs a postcolonial discourse on South-Asian history, in which cosmopolitan notions of Britishness, Anglo-Indian relations, and colonial rule are interrogated through an ambiguous dramatic irony that, while deploring British ineptitude in handling the Partition process, in fact represents Partition as a colossal tangle of public and private complicities which mitigates the Raj’s responsibilities and tacitly subscribes to a consolatory determinism.

  • Keywords:
  • Howard Brenton,
  • Britishness,
  • historical theatre,
  • postcolonial discourse,
  • Partition of India,
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Elena Anna Spandri

University of Siena, Italy - ORCID: 0000-0003-2593-593X

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  • Anno di pubblicazione: 2023
  • Pagine: 115-129

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Informazioni sul capitolo

Titolo del capitolo

Performing the «miasma» of Indian Partition. Terror and romance in Howard Brenton’s Drawing the Line

Autori

Elena Anna Spandri

Lingua

English

DOI

10.36253/979-12-215-0278-7.10

Opera sottoposta a peer review

Anno di pubblicazione

2023

Copyright

© 2023 Author(s)

Licenza d'uso

CC BY-SA 4.0

Licenza dei metadati

CC0 1.0

Informazioni bibliografiche

Titolo del libro

La violenza nel teatro contemporaneo

Sottotitolo del libro

Lingue e linguaggi a confronto

Curatori

Paola Bellomi, Carla Francellini, Maria Beatrice Lenzi, Ada Milani, Niccolò Scaffai

Opera sottoposta a peer review

Numero di pagine

152

Anno di pubblicazione

2023

Copyright

© 2023 Author(s)

Licenza d'uso

CC BY-SA 4.0

Licenza dei metadati

CC0 1.0

Editore

Firenze University Press, USiena Press

DOI

10.36253/979-12-215-0278-7

ISBN Print

979-12-215-0277-0

eISBN (pdf)

979-12-215-0278-7

eISBN (epub)

979-12-215-0279-4

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2975-0377

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2975-0229

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