- Les Demoiselles d’Avignon and Modernism
- Maite Méndez Baiges
“Naked Problems”. Origin and Reach of the Formalist Interpretations
- Maite Méndez Baiges
- © 2022 Author(s) |
- CC BY 4.0
- DOI: 10.36253/978-88-5518-656-8.04
The first solid interpretation of the damsels to make a mark was delivered from formalist criteria. Thus, as far as was possible the content of the work was disregarded, studying only in great detail all its pictorial or purely plastic values that proclaimed the great avant-guard revolution: the substitution of the Renaissance visual order with the modern visual order. From this point of view the Demoiselles appear as the seed of one of the most relevant avant-guard movements —Cubism. This chapter deals with the origin and how the formalist version shaped the painting —and Modern Art itself (from the 1920s until approximately the 1960s).
- Keywords:
- Modernism,
- Demoislles d'Avignon,
- Alfred H. Barr,
- MoMA,
- Daniel-Henry Kahnweiler,
University of Malaga, Spain - ORCID: 0000-0002-0762-7004
- Barr, Jr., Alfred H. 1939. Picasso: Forty Years of His Art. New York: The MoMA.
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- Fry, Edward. 1966. “Cubism 1907-1908: An Early Eyewitness Account.” The Art Bulletin 48, no. 1 (March): 70–3.
- Golding, John. 1958. “The Demoiselles d’Avignon.” The Burlington Magazine 100, no. 662 (May): 155–63.
- Golding, John. 1959. Cubism: A History and an Analysis, 1907-1914. New York: George Witterborn.
- Green, Christopher. 2001. Picasso’s Les Demoiselles d’Avignon. Cambridge: Cambridge University Press.
- Kahnweiler, Daniel-Henry. 1952. “Huit entretiens avec Picasso.” Le Point 7, 42 (Octobre).
- Kahnweiler, Daniel-Henry. 1997. El camino hacia el cubismo. Translated by Rosa Sala and Jaume Vallcorba. Barcelona: Quaderns Crema.
- Rosenblum, Robert. 1973. “The Demoiselles Revisited.” Art News 72, no. 4 (April): 45–8.
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- Rubin, William, et al. 1992. Braque and Picasso. A Symposium. New York: The MoMA.
- Spies, Werner. 1969. “Picassos Herausforderung: Graphik von 1968 in der Galerie Leiris.” Frankfurter Allgemeine Zeitung no. 5, 7 January 1969.
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Informazioni sul capitolo
Titolo del capitolo
“Naked Problems”. Origin and Reach of the Formalist Interpretations
Autori
Maite Méndez Baiges
Lingua
English
DOI
10.36253/978-88-5518-656-8.04
Opera sottoposta a peer review
Anno di pubblicazione
2022
Copyright
© 2022 Author(s)
Licenza d'uso
Licenza dei metadati
Informazioni bibliografiche
Titolo del libro
Les Demoiselles d’Avignon and Modernism
Autori
Maite Méndez Baiges
Opera sottoposta a peer review
Numero di pagine
148
Anno di pubblicazione
2022
Copyright
© 2022 Author(s)
Licenza d'uso
Licenza dei metadati
Editore
Firenze University Press
DOI
10.36253/978-88-5518-656-8
ISBN Print
978-88-5518-655-1
eISBN (pdf)
978-88-5518-656-8
eISBN (epub)
978-88-5518-657-5
Collana
Studi e saggi
ISSN della collana
2704-6478
e-ISSN della collana
2704-5919