This article aims to explore the intertextual relationships between Dante’s Divine Comedy and three pieces of creative writing: Chariklia Martalas’ “A Mad Flight into Inferno Once Again”, Thalén Rogers’ “The Loadstone” and Helena van Urk’s “The Storm”. By employing a comparative analysis, I argue that, even though decontextualised, the Comedy still represents a fruitful aesthetic source for representing particularly war-torn and violent contexts such as South Africa during apartheid and colonialism. I explore how the authors, through intertextual references and parodic rewriting, both re-configure the poem and challenge some of the Comedy’s moral assumptions and the idea of (divine) justice. I aim to show how Dantean Hell, far from being an otherworldly realm, is in fact transfigured and adapted to effectively represent (and make sense of) a historical context. In other words, through an intertextual analysis, this analysis tries to understand why and how the Comedy resonates with the South African socio-political (and literary) context.
Newcastle University, United Kingdom - ORCID: 0000-0001-8986-8268
Titolo del capitolo
“Experience that Generates Experience”: The Influence of the Comedy in three South African Writings
Autori
Marco Medugno
Lingua
English
DOI
10.36253/978-88-5518-458-8.08
Opera sottoposta a peer review
Anno di pubblicazione
2021
Copyright
© 2021 Author(s)
Licenza d'uso
Licenza dei metadati
Titolo del libro
A South African Convivio with Dante
Sottotitolo del libro
Born Frees’ Interpretations of the Commedia
Curatori
Sonia Fanucchi, Anita Virga
Opera sottoposta a peer review
Numero di pagine
212
Anno di pubblicazione
2021
Copyright
© 2021 Author(s)
Licenza d'uso
Licenza dei metadati
Editore
Firenze University Press
DOI
10.36253/978-88-5518-458-8
ISBN Print
978-88-5518-457-1
eISBN (pdf)
978-88-5518-458-8
Collana
Studi e saggi
ISSN della collana
2704-6478
e-ISSN della collana
2704-5919