Through examples taken from comedies recently attributed to Lope de Vega, this article deals with certain problems that should be considered when studying or editing plays of doubtful authorship. The analysis focuses on methods traditionally used to resolve problematic attributions, such as the study of versification, orthoepy and syllable counting. The conclusion argues that all of these tools —as well as the landmark works by Morley and Bruerton or W. Poesse — still offer great surprises and challenges for researchers. Thus, the development of new methods, such as stylometry, should not impel us to dismiss the classic approaches. Quite the opposite: old and new methods inform one another.
University of València, Spain - ORCID: 0000-0001-7459-6167
Titolo del capitolo
Edición crítica, problemas textuales y de autoría: métrica y ortología en Lope de Vega
Autori
Daniel Fernández Rodríguez
Lingua
Spanish
DOI
10.36253/978-88-5518-224-9.02
Opera sottoposta a peer review
Anno di pubblicazione
2021
Copyright
© 2021 Author(s)
Licenza d'uso
Licenza dei metadati
Titolo del libro
La edición del diálogo teatral (siglos XVI-XVII)
Curatori
Luigi Giuliani, Victoria Pineda
Opera sottoposta a peer review
Numero di pagine
182
Anno di pubblicazione
2021
Copyright
© 2021 Author(s)
Licenza d'uso
Licenza dei metadati
Editore
Firenze University Press
DOI
10.36253/978-88-5518-224-9
ISBN Print
978-88-5518-223-2
eISBN (pdf)
978-88-5518-224-9
eISBN (epub)
978-88-5518-225-6
Collana
Studi e saggi
ISSN della collana
2704-6478
e-ISSN della collana
2704-5919