This paper frames “daylighting” and “scenography” as operative modes for experimental preservation: not restoring a singular past, but exposing heritage as layered, contested, and unresolved. Daylighting brings obscured histories into view; scenography temporarily stages fragments, materials, and spatial cues to make alternate histories and futures perceptible. Two U.S. case studies test this approach: Crossing the Line in Central New York, which materializes a 1792 survey line with colonial debris, and The Steel Horsie of Columbus, which reanimates suppressed railroad and industrial histories through borrowed infrastructural remnants.
New Jersey Institute of Technology, United States
Titolo del capitolo
Daylighting and Scenography: Case studies in preservation experiments in the U.S.
Autori
Aleksandr Mergold
Lingua
Inglese
DOI
10.36253/979-12-215-1113-0.108
Opera sottoposta a peer review
Anno di pubblicazione
2026
Copyright
© 2026 Author(s)
Licenza d'uso
Licenza dei metadati
Titolo del libro
ReUso 2026 - New heritage and future strategies. Perspectives on conservation and promotion
Sottotitolo del libro
14th International Congress Barcelona-Girona, 4-7 November
Curatori
Alessandro Scarnato, Marisa García Vergara, Ángeles Layuno Rosas
Opera sottoposta a peer review
Anno di pubblicazione
2026
Copyright
© 2026 Author(s)
Licenza d'uso
Licenza dei metadati
Editore
Firenze University Press
DOI
10.36253/979-12-215-1113-0
eISBN (pdf)
979-12-215-1113-0
eISBN (xml)
979-12-215-1112-3
Collana
ReUso