- Les Demoiselles d’Avignon and Modernism
- Maite Méndez Baiges
After Picasso: Reinterpretations and recreations of Les Demoiselles D’Avignon in Contemporary Art
- Maite Méndez Baiges
- © 2022 Author(s) |
- CC BY 4.0
- DOI: 10.36253/978-88-5518-656-8.08
Another way of showing interpretations of Picasso's Demoiselles is to heed the replicas, copies, pictorial or artistic versions made by contemporary artists. This chapter presents the artistic versions of the work done by artists at the end of the 20th and start of the 21st century. It begins the pop replicas by Caulfield or Equipo Crónico and the appropriationists like Richard Prince or Mark Bidlo. And continuing with those done by feminist or Afroamerican artists like Faith Ringgold or the queer versions of Rafael Agredano. Finally it deals with the geographical and culturally situated critical proposals of Francis Alÿs or Rogelio López Cuenca/Elo Vega.
- Keywords:
- Demoiselles d'Avignon,
- Postcolonialism,
- Feminism,
University of Malaga, Spain - ORCID: 0000-0002-0762-7004
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Chapter Information
Chapter Title
After Picasso: Reinterpretations and recreations of Les Demoiselles D’Avignon in Contemporary Art
Authors
Maite Méndez Baiges
Language
English
DOI
10.36253/978-88-5518-656-8.08
Peer Reviewed
Publication Year
2022
Copyright Information
© 2022 Author(s)
Content License
Metadata License
Bibliographic Information
Book Title
Les Demoiselles d’Avignon and Modernism
Authors
Maite Méndez Baiges
Peer Reviewed
Number of Pages
148
Publication Year
2022
Copyright Information
© 2022 Author(s)
Content License
Metadata License
Publisher Name
Firenze University Press
DOI
10.36253/978-88-5518-656-8
ISBN Print
978-88-5518-655-1
eISBN (pdf)
978-88-5518-656-8
eISBN (epub)
978-88-5518-657-5
Series Title
Studi e saggi
Series ISSN
2704-6478
Series E-ISSN
2704-5919