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After Picasso: Reinterpretations and recreations of Les Demoiselles D’Avignon in Contemporary Art

  • Maite Méndez Baiges

Another way of showing interpretations of Picasso's Demoiselles is to heed the replicas, copies, pictorial or artistic versions made by contemporary artists. This chapter presents the artistic versions of the work done by artists at the end of the 20th and start of the 21st century. It begins the pop replicas by Caulfield or Equipo Crónico and the appropriationists like Richard Prince or Mark Bidlo. And continuing with those done by feminist or Afroamerican artists like Faith Ringgold or the queer versions of Rafael Agredano. Finally it deals with the geographical and culturally situated critical proposals of Francis Alÿs or Rogelio López Cuenca/Elo Vega.

  • Keywords:
  • Demoiselles d'Avignon,
  • Postcolonialism,
  • Feminism,
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Maite Méndez Baiges

University of Malaga, Spain - ORCID: 0000-0002-0762-7004

  1. Barthes, Roland. 1984. “La mort de l’auteur.” In Le bruissement de la langue, 61–7. Paris: Seuil.
  2. Cameron, Dan, ed. 1988. Dancing at the Louvre. Faith Ringgold’s French Collection and Other Story Quilts. Berkeley: University of California Press.
  3. Chave, Anna C. 1994. “New Encounters with Les Demoiselles d’Avignon. Gender, Race, and the Origins of Cubism.” Art Bulletin 76, no. 4 (December): 597–611.
  4. Didi-Huberman, Georges. 2000. Devant le temps: histoire de l’art et anchronisme des images. Paris: Les Éditions du Minuit
  5. Dupuis-Labbé, Dominique. 2007. Les Demoiselles d’Avignon. Paris: Bartillat.
  6. Fitzgerald, Sharon. 1997. “Robert Colescott Rocks the Boat: Painter’s Work Shown at June 1997 International Festival.” American Visions, 12, no. 3 (June-July): 14–9.
  7. Foucault, Michel. 1971. L’Ordre du discours. Paris: Gallimard.
  8. Gersh-Nesic, Beth S. 2007. The Demoiselles Revisited. New York: Francis N. Nauman.
  9. Godefroy, Cécile. 2015. “Picasso et la tapisserie.” http://revoirpicasso.fr/wp-content/uploads/2016/03/RevoirPicasso-2015_J1_M.Godefroy.pdf (2021-03-28).
  10. Krauss, Rosalind. 1981. “In the Name of Picasso.” October 16, no. 102 (Spring): 5–22. DOI: 10.2307/778371
  11. Graulic, Melody, and Mara Witzling. 2001. “The Freedom to Say what She Pleases: A Conversation with Faith Ringgold.” In Black Feminist Cultural Criticism, edited by Jacqueline Bobo, 184–209. Malden and Oxford: Blackwell.
  12. Lebrero Stals, José. 2012. Prince/Picasso. Málaga: Museo Picasso Málaga.
  13. Ottinger, Didier, ed. 2015. Picasso. Mania. Paris: Éditions de la Réunion des musées nationaux-Grand Palais.
  14. Rosenblum, Robert. 1973. “The Demoiselles Revisited.” Art News 72, no. 4 (April): 45–8.
  15. Steinberg, Leo. 1988. “The Philosophical Brothel.” October no. 44 (Spring): 7–74.
  16. Vega, Elo. “Surviving October”. <http://elovega.net/surviving-october/> Accessed April 4, 2021.
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  • Anno di pubblicazione: 2022
  • Pagine: 103-123

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  • Anno di pubblicazione: 2022

Informazioni sul capitolo

Titolo del capitolo

After Picasso: Reinterpretations and recreations of Les Demoiselles D’Avignon in Contemporary Art

Autori

Maite Méndez Baiges

Lingua

English

DOI

10.36253/978-88-5518-656-8.08

Opera sottoposta a peer review

Anno di pubblicazione

2022

Copyright

© 2022 Author(s)

Licenza d'uso

CC BY 4.0

Licenza dei metadati

CC0 1.0

Informazioni bibliografiche

Titolo del libro

Les Demoiselles d’Avignon and Modernism

Autori

Maite Méndez Baiges

Opera sottoposta a peer review

Numero di pagine

148

Anno di pubblicazione

2022

Copyright

© 2022 Author(s)

Licenza d'uso

CC BY 4.0

Licenza dei metadati

CC0 1.0

Editore

Firenze University Press

DOI

10.36253/978-88-5518-656-8

ISBN Print

978-88-5518-655-1

eISBN (pdf)

978-88-5518-656-8

eISBN (epub)

978-88-5518-657-5

Collana

Studi e saggi

ISSN della collana

2704-6478

e-ISSN della collana

2704-5919

766

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