Another way of showing interpretations of Picasso's Demoiselles is to heed the replicas, copies, pictorial or artistic versions made by contemporary artists. This chapter presents the artistic versions of the work done by artists at the end of the 20th and start of the 21st century. It begins the pop replicas by Caulfield or Equipo Crónico and the appropriationists like Richard Prince or Mark Bidlo. And continuing with those done by feminist or Afroamerican artists like Faith Ringgold or the queer versions of Rafael Agredano. Finally it deals with the geographical and culturally situated critical proposals of Francis Alÿs or Rogelio López Cuenca/Elo Vega.
University of Malaga, Spain - ORCID: 0000-0002-0762-7004
Titolo del capitolo
After Picasso: Reinterpretations and recreations of Les Demoiselles D’Avignon in Contemporary Art
Autori
Maite Méndez Baiges
Lingua
English
DOI
10.36253/978-88-5518-656-8.08
Opera sottoposta a peer review
Anno di pubblicazione
2022
Copyright
© 2022 Author(s)
Licenza d'uso
Licenza dei metadati
Titolo del libro
Les Demoiselles d’Avignon and Modernism
Autori
Maite Méndez Baiges
Opera sottoposta a peer review
Numero di pagine
148
Anno di pubblicazione
2022
Copyright
© 2022 Author(s)
Licenza d'uso
Licenza dei metadati
Editore
Firenze University Press
DOI
10.36253/978-88-5518-656-8
ISBN Print
978-88-5518-655-1
eISBN (pdf)
978-88-5518-656-8
eISBN (epub)
978-88-5518-657-5
Collana
Studi e saggi
ISSN della collana
2704-6478
e-ISSN della collana
2704-5919