Contained in:
Book Chapter

Overdose di storie. La narrazione senza fine dei social media

  • Paolo Sordi

Stories are now a distinctive and established genre in social media. From Snapchat to WhatsApp, via Facebook and Instagram, more than half a billion authors (amateurs, but not only) interact with apps by composing and consuming stories that configure new literature in which alphabetic writing coexists with the growing dominance of visual language. Centered on the narrativization of the lives of the users, invited to tell and retell themselves seamlessly, the hardware architecture and software interfaces of digital devices and media seem to generate a form of addiction to narratives, a need induced in both writing and reading. In the face of such an overdose, the question remains whether those of social media are still "stories that heal" or, rather, stories that poison.

  • Keywords:
  • subject,
  • identity,
  • alterity,
  • constructivism,
+ Show More

Paolo Sordi

LUMSA, Libera Università Maria Santissima Assunta, Italy - ORCID: 0000-0003-0841-7049

  1. Albertazzi, Silvia. 2017. Letteratura e fotografia. Roma: Carocci.
  2. Bamberg, Michael, and Alexandra Georgakopoulou. 2008. “Small Stories as a New Perspective in Narrative and Identity Analysis.” Text & Talk 28 (3): 377-96. DOI: 10.1515/TEXT.2008.018
  3. Bolter, Jay D. 2002. Lo spazio dello scrivere. Computer, ipertesto e la ri-mediazione della stampa. Milano: Vita e Pensiero.
  4. Boyd, D., and J. Heer. 2006. “Profiles as Conversation: Networked Identity Performance on Friendster.” In Proceedings of the 39th Annual Hawaii International Conference on System Sciences (HICSS’06) 3: 59c-59c. DOI: 10.1109/HICSS.2006.394
  5. Bucher, Taina. 2018. If… Then: Algorithmic Power and Politics. New York: Oxford University Press.
  6. Burke, Moira, and Robert E. Kraut. 2016. “The Relationship Between Facebook Use and Well-Being Depends on Communication Type and Tie Strength.” Journal of Computer-Mediated Communication 21 (4): 265-81. DOI: 10.1111/jcc4.12162
  7. Calabrese, Stefano, a cura di. 2009. Neuronarratologia: il futuro dell’analisi del racconto. Bologna: Archetipolibri.
  8. Calabrese, Stefano, Valentina Conti, e Ludovica Broglia. 2021. “Elogio della visual literacy.” ENTHYMEMA 27: 90-113. DOI: 10.13130/2037-2426/15084
  9. Cometa, Michele. 2017. Perché le storie ci aiutano a vivere: la letteratura necessaria. Milano: Raffaello Cortina Editore.
  10. Constine, Josh. 2019. “You might hate it, but Facebook Stories now has 500M users.” Media & Entertainment, 24 April, 2019. <https://social.techcrunch.com/2019/04/24/facebook-stories-500-million/> (2021-10-14).
  11. D’Elia, Edoardo. 2020. “Ecco l’uomo che vi tiene incollati a Facebook (ma si è pentito).” Il Foglio, 5 luglio, 2020. <https://www.ilfoglio.it/tecnologia/2020/07/05/news/ecco-l-uomo-che-vi-tiene-incollati-a-facebook-ma-si-e-pentito-321130/> (2021-11-11).
  12. Deters, Fenne, and Matthias Mehl. 2013. “Does Posting Facebook Status Updates Increase or Decrease Loneliness? An Online Social Networking Experiment.” Social Psychological and Personality Science 4 (5): 579-86. DOI: 10.1177/1948550612469233
  13. Eyal, Nir. 2014. Hooked: How to Build Habit-Forming Products. London-New York-Toronto: Portfolio Penguin.
  14. Givone, Sergio. 2008. “Dire le emozioni. La costruzione dell’interiorità nel romanzo moderno.” In La cultura del romanzo, I, a cura di Franco Moretti, 377-94. Torino: Einaudi.
  15. Gottschall, Jonathan. 2014. L’istinto di narrare: come le storie ci hanno reso umani. Torino: Bollati Boringhieri.
  16. Havelock, Eric A. 1987. La musa impara a scrivere. Roma-Bari: Laterza.
  17. Karlsson, Jonas, and Martin Larsson. 2016. Adapting Infinite-Scroll with the User Experience in Mind. <http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-131462> (2021-11-10).
  18. Kress, Gunther. 2015. Multimodalità: un approccio socio-semiotico alla comunicazione contemporanea. Bari: Progedit.
  19. Kundera, Milan. 1978: Il libro del riso e dell’oblio. Milano: Bompiani.
  20. Leaver, Tama, Tim Highfield, and Crystal Abidin. 2020. Instagram: Visual Social Media Cultures. Cambridge: Polity.
  21. Lombardi, Carmela. 2004. Lettura e letteratura: quaranta anni di teoria. Napoli: Liguori.
  22. Mark, Gloria, Stephen Voida, and Armand Cardello. 2012. ““A pace not dictated by electrons”: an empirical study of work without email.” In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, 555-64. CHI ‘12. New York: Association for Computing Machinery. DOI: 10.1145/2207676.2207754
  23. Meta. 2021. “Introducing Ray-Ban Stories: First-Generation Smart Glasses.” Meta, 9 September, 2021 <https://about.fb.com/news/2021/09/introducing-ray-ban-stories-smart-glasses/> (2021-10-04).
  24. Mordenti, Raul. 2016. I sensi del testo. Roma: Bordeaux Edizioni.
  25. Ochs, Elinor, and Lisa Capps. 2001. Living Narrative: Creating Lives in Everyday Storytelling. Cambridge: Harvard University Press.
  26. Page, Ruth. 2018. Narratives online. Shared Stories in Social media. New York: Cambridge University Press. Kindle Edition.
  27. Pew Review Center. 2021. “Social Media Fact Sheet.” Pew Review Center, 7 April, 2021. <https://www.pewresearch.org/internet/fact-sheet/social-media/> (2021-10-04).
  28. Ricciardi, Mario. 2018. “La Costituzione del digitale.” DigitCult - Scientific Journal on Digital Cultures 3 (3): 41-60. DOI: 10.4399/97888255208975
  29. Riley, Daniel. 2021. “The Secrets of The World’s Greatest Freediver.” GQ. 21 September, 2021. <https://www.gq.com/story/freediver-alexey-molchanov-profile> (2021-11-11).
  30. Sordi, Paolo. 2015: I Am: Remix Your Web Identity. Cambridge Scholars Publishing.
  31. Sordi, Paolo, e Domenico Fiormonte, 2016. “Come controllare Internet in sei mosse: geopolitica dell’oro digitale.” Infolet. <https://infolet.it/2016/10/12/controllare-internet-in-6-mosse/> (2021-11-10).
  32. Sordi, Paolo, 2016. “I libri di famiglia in Italia: storia di una ricerca e della sua problematica conservazione attiva (ovvero: la soluzione digitale).” Testo e Senso 17. <http://testoesenso.it/article/view/423> (2021-11-16).
  33. Sordi, Paolo. 2018. La macchina dello storytelling. Facebook e il potere di narrazione nell’era dei social media. Roma: Bordeaux Edizioni.
  34. Starri, Matteo. 2021. “Digital 2021: i dati globali.” We are social, 27 gennaio, 2021. <https://wearesocial.com/it/blog/2021/01/digital-2021-i-dati-globali> (2021-10-14).
  35. Stone, Linda. 2008. “Just Breathe: Building the Case for Email Apnea.” HuffPost. 8 February, 2008. <https://www.huffpost.com/entry/just-breathe-building-the_b_85651> (2021-11-11).
  36. van Dijck, José. 2012. “Facebook and the Engineering of Connectivity: A Multi-Layered Approach to Social Media Platforms.” Convergence 19 (2): 141-55. DOI: 10.1177/1354856512457548
  37. van Dijck, José. 2013. The Culture of Connectivity: A Critical History of Social Media. Oxford-New York: Oxford University Press.
  38. van Dijck, José, Thomas Poell, e Martijn De Waal. 2019. Platform Society. Valori pubblici e società connessa. Milano: Guerini Scientifica.
  39. Vittadini, Nicoletta. 2018. Social media studies. I social media alla soglia della maturità: storia, teorie e temi. Milano: FrancoAngeli.
  40. Werber, Cassie. 2016. «Facebook is predicting the end of the written word». Quartz. 14 June, 2016. <http://qz.com/706461/facebook-is-predicting-the-end-of-the-written-word/> (2021-10-14).
  41. Wikipedia. s.d. “JavaScript.” Wikipedia. data ultima revisione: 15 novembre 2022. <https://it.wikipedia.org/wiki/JavaScript> (2022-11-15).
PDF
  • Publication Year: 2022
  • Pages: 141-153
  • Content License: CC BY 4.0
  • © 2022 Author(s)

XML
  • Publication Year: 2022
  • Content License: CC BY 4.0
  • © 2022 Author(s)

Chapter Information

Chapter Title

Overdose di storie. La narrazione senza fine dei social media

Authors

Paolo Sordi

Language

Italian

DOI

10.36253/979-12-215-0045-5.11

Peer Reviewed

Publication Year

2022

Copyright Information

© 2022 Author(s)

Content License

CC BY 4.0

Metadata License

CC0 1.0

Bibliographic Information

Book Title

La narrazione come incontro

Editors

Fabio Ciotti, Carmela Morabito

Peer Reviewed

Number of Pages

174

Publication Year

2022

Copyright Information

© 2022 Author(s)

Content License

CC BY 4.0

Metadata License

CC0 1.0

Publisher Name

Firenze University Press

DOI

10.36253/979-12-215-0045-5

ISBN Print

979-12-215-0044-8

eISBN (pdf)

979-12-215-0045-5

eISBN (epub)

979-12-215-0046-2

Series Title

Moderna/Comparata

Series ISSN

2704-5641

Series E-ISSN

2704-565X

274

Fulltext
downloads

165

Views

Export Citation

1,346

Open Access Books

in the Catalogue

2,262

Book Chapters

3,790,127

Fulltext
downloads

4,420

Authors

from 923 Research Institutions

of 65 Nations

65

scientific boards

from 348 Research Institutions

of 43 Nations

1,248

Referees

from 381 Research Institutions

of 38 Nations