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Book Chapter

Lope de Vega’s La hermosa Ester: a heroine on the Dutch stage

  • Frans Blom
  • Olga van Marion

Several recent studies on Amsterdam’s Grand City Theater (the Schouwburg, est. 1637) have focused on transnational adaptations of Spanish comedias in the Dutch repertory, analyzing ways of transfer, marketing, artistic translation and adaptation, popularity and impact on Dutch theatre life. Building on these new insights, this contribution centers on Lope de Vega’s biblical comedia of La hermosa Ester and its transfer from the Iberian tradition to the Dutch stage in Amsterdam, where the play premiered in 1659 as Hester. Bringing to life the story of the Jewish exile in Persia, the play stands out for its theme of deliverance and for its female heroism. The article’s arguments is that Lope’s play spoke to the people in the Jewish refugee community of Amsterdam just as much as to the Christian people in Dutch society. Moreover, the heroine protagonist was key to its popularity, exploiting the theatre’s recent innovation of female actors and, thus, appealing to a more diverse audience.

  • Keywords:
  • Transnational Theatre,
  • Comedia adaptation,
  • Amsterdam Grand Theatre (Schouwburg),
  • Female Actors,
  • Lope de Vega,
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Frans Blom

University of Amsterdam, Netherlands - ORCID: 0000-0002-2175-451X

Olga van Marion

Leiden University, Netherlands - ORCID: 0000-0001-5188-2822

  1. Blom, Frans R.E. 2020. “Enemy Treasures: The Making and Marketing of Spanish Comedia in the Amsterdam Schouwburg”. In Literary Hispanophilia and Hispanophobia in Britain and the Low Countries (1550-1850), ed. Yolanda Rodríguez Pérez, 115-44. Amsterdam: AUP.
  2. Blom, Frans R.E. 2021a. “Theatre on Tour: Amsterdam’s Schouwburg as a European Hub”. In The International World of Dutch Literature, eds. Jan Bloemendal, James Parente and Nigel Smith (special issue of Renaissance Studies. Journal of the Society for Renaissance Studies), 136-58.
  3. Blom, Frans R.E. 2021b. Podium van Europa. Creativiteit en ondernemen in de Amsterdamse Schouwburg van de zeventiende eeuw. Amsterdam: Querido.
  4. Blom, Frans R.E. 2023. “The Pearl from Spain: Calderón’s La vida es sueño in the Dutch-Speaking Territories”. In Literatures without Frontiers: Transnational Perspectives on Premodern Literature in the Low Countries, 1200-1800, eds. Cornelis van der Haven, Youri Desplenter, James A. Parente and Jan Bloemendal, 238-70. Leiden: Brill.
  5. Blom, Frans R.E. and Olga van Marion. 2017. “Lope de Vega and the Conquest of Spanish Theater in the Netherlands”. Anuario Lope de Vega, 23: 155-77.
  6. Blom, Frans R.E. and Olga van Marion. 2021. Spaans toneel voor Nederlands publiek. Hilversum: Verloren.
  7. Burke, Peter. 2007. “Lost (and Found) in Translation: A Cultural History of Translators and Translating in Early Modern Europe”. European Review, 15: 83-94.
  8. Canning, Elaine M. 2004. Lope de Vega’s Comedias de tema religioso. Re-creations and re-presentations, 38. London: Támesis.
  9. Colbert Cairns, Emily. 2013. “Esther among Crypto-Jews and Christians: Queen Esther and the Inquisition manuscripts of Isabel de Carvajal and Lope de Vega’s La hermosa Esther”. Chasqui. Revista de literatura latinoamericana, 42.2: 98–109.
  10. Dullaart, Joan (Diego Jiménez de Enciso). 1653. Alexander de Medicis, of ‘t bedrooge betrouwen. Treurspel. Amsterdam: Gerrit van Goedesberg.
  11. Heynck, Dirk Pietersz. 1663. Veranderlyk geval, of Stantvastige liefde. Bly-spel. Amsterdam: Jacob Lescaille.
  12. Maas, Abraham. 1774. Compleete verzameling van vyftig brieven, van een Rotterdamsch heer; over het spleen van de aldaar zynde acteurs en actrices, 1773-1774. n.n.: L. Schmidt.
  13. Sánchez Jiménez, Antonio. 2011. El pincel y el Fénix: pintura y literatura en la obra de Lope de Vega Carpio. Madrid / Frankfurt: Iberoamericana / Vervuert.
  14. Serwouters, Johannes. 1659. Hester, oft Verlossing der Jooden. Amsterdam: Jacob Lescaille.
  15. van Marion, Olga. 2021. Gouden diva’s. De eerste Nederlandse actrices en hun sporen in de literatuur. Leiden: Primavera Pers.
  16. Vergeer, Tim. 2026. Spanish Drama on the Dutch Stage. Transgressive Emotions in the Seventeenth Century. Leiden: Brill.
  17. Vos, Isaak (Lope de Vega Carpio). 1646. Gedwongen Vrient. Amsterdam: Jan van Hilten.
  18. Wouters, Dinah and Jan Bloemendal, eds. 2025. Transnational Encounters in Early Modern Drama, 1450–1750. Leiden: Brill.
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  • Publication Year: 2026
  • Pages: 281-292
  • Content License: CC BY 4.0
  • © 2026 Author(s)

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  • Publication Year: 2026
  • Content License: CC BY 4.0
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Chapter Information

Chapter Title

Lope de Vega’s La hermosa Ester: a heroine on the Dutch stage

Authors

Frans Blom, Olga van Marion

Language

Ukrainian

DOI

10.36253/979-12-215-0857-4.25

Peer Reviewed

Publication Year

2026

Copyright Information

© 2026 Author(s)

Content License

CC BY 4.0

Metadata License

CC0 1.0

Bibliographic Information

Book Title

La recepción del teatro clásico español en Europa (siglos XVII-XVIII)

Editors

Fausta Antonucci, Salomé Vuelta García

Peer Reviewed

Number of Pages

300

Publication Year

2026

Copyright Information

© 2026 Author(s)

Content License

CC BY 4.0

Metadata License

CC0 1.0

Publisher Name

Firenze University Press

DOI

10.36253/979-12-215-0857-4

ISBN Print

979-12-215-0856-7

eISBN (pdf)

979-12-215-0857-4

Series Title

Moderna/Comparata

Series ISSN

2704-5641

Series E-ISSN

2704-565X

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