This article reconsiders the impact of the Spanish comedia on early-seventeenth-century French theatre, arguing that its influence extends well beyond direct translations to a deep reshaping of dramaturgical practice. It traces the diffusion of the so called « pentagonal schema » from Lope de Vega into French comedy and tragedy, especially in Corneille, where it powers action despite classicist demands for unity. By subordinating multiple love plots to a primary through-line, Corneille reframes Aristotelian theory into a two-thread model that heightens uncertainty and spectacle. The study situates these mechanisms within wider European narrative habits yet underscores the comedia’s distinctive role in formal consolidation and stage efficacy.
Université de Strasbourg, France - ORCID: 0009-0000-0448-3001
Titolo del capitolo
L’impatto della comedia in Francia nel primo Seicento: nuovi personaggi, nuove storie, nuove pratiche drammatiche
Autori
Enrica Zanin
Lingua
Italian
DOI
10.36253/979-12-215-0857-4.20
Opera sottoposta a peer review
Anno di pubblicazione
2026
Copyright
© 2026 Author(s)
Licenza d'uso
Licenza dei metadati
Titolo del libro
La recepción del teatro clásico español en Europa (siglos XVII-XVIII)
Curatori
Fausta Antonucci, Salomé Vuelta García
Opera sottoposta a peer review
Numero di pagine
300
Anno di pubblicazione
2026
Copyright
© 2026 Author(s)
Licenza d'uso
Licenza dei metadati
Editore
Firenze University Press
DOI
10.36253/979-12-215-0857-4
ISBN Print
979-12-215-0856-7
eISBN (pdf)
979-12-215-0857-4
Collana
Moderna/Comparata
ISSN della collana
2704-5641
e-ISSN della collana
2704-565X