Contenuto in:
Capitolo

Introduction. An Archaeology of Modernism

  • Maite Méndez Baiges

The book meticulously analyses the history of the critical reception of avantguard art through the interpretations received by one of its greatest emblems, Les Demoiselles d'Avignon by Picasso, 1907. Since Les Demoiselles has been considered over this century the true paradigm of Modern Art, this book is, fundamentally, a sort of synthesis of the discourses about Modernism from formalism, iconology, Leo Steinberg's 'Other Criteria’, sociological, the biographical and psychoanalytical theses, cultural and historicist and lastly, the impact of post-structuralism and the feminist, post-colonialist and transnational interpretations. The final chapter deals with the artistic versions of Les Demoiselles d'Avignon made by artists. It is an essay on the different versions and identities of Modern Art and Modernism that have been produced throughout the last century.

  • Keywords:
  • Modernism,
  • Demoiselles d'Avignon,
  • Modernist Criticism,
  • New History of Art,
  • Global History of Art,
+ Mostra di più

Maite Méndez Baiges

University of Malaga, Spain - ORCID: 0000-0002-0762-7004

  1. Appadurai, Arjun. 1986. The Social Life of Things. Cambridge: Cambridge University Press.
  2. Bal, Mieke. 1999. Quoting Caravaggio: Contemporary Art. Chicago: Preposterous History and Chicago University Press.
  3. Chamananda Ngozi, Adichie. 2018. “El silencio es un lujo que no podemos permitirnos.” El País. 27 October, 2018.
  4. Débray, Regis. 1994. Vida y muerte de la imagen. Historia de la mirada en Occidente. Translated by Ramón Hervás. Barcelona: Paidós.
  5. D’Souza, Aruna. 2002. “Biography becomes Form: William Rubin, Pablo Picasso and the Subject of Art History.” Word & Image, 18, no. 2 (April-June): 126–36. DOI: 10.1080/02666286.2002.10404983
  6. Golding, John. 2001. “Les Demoiselles d’Avignon and the Exhibition of 1988.” In Picasso’s Les Demoiselles d’Avignon, edited by Christopher Green, 15–30. Cambridge: Cambridge University Press.
  7. Harris, Jonathan. 2001. The New Art History. A Critical Introduction. London and New York: Routledge.
  8. Irigaray, Luce. 1978. “Un art différent de sentir, interview to Luce Irigaray”. In Les femmes, la pornographie, l’erotisme, edited by Marie Françoise Hans and Gilles Lapouge, 43–58. Seuil: Paris.
  9. Joyeux Prunel, Béatrice. 2015. Les avant-gardes artistiques. 1848-1918. Une histoire transnationale. Paris: Gallimard.
  10. Owens, Craig. 1983. The Discourse of Others: Feminists and Postmodernism. In The Anti-Aesthetic. Essays on Postmodern Culture, edited by Hal Foster, 57-82. Seattle: Bay Press.
  11. Rubin, William, et al. 1994. “Les Demoiselles d’Avignon.” Studies in Modern Art 3: New York: Museum of Modern Art.
PDF
  • Anno di pubblicazione: 2022
  • Pagine: 11-22

XML
  • Anno di pubblicazione: 2022

Informazioni sul capitolo

Titolo del capitolo

Introduction. An Archaeology of Modernism

Autori

Maite Méndez Baiges

Lingua

English

DOI

10.36253/978-88-5518-656-8.02

Opera sottoposta a peer review

Anno di pubblicazione

2022

Copyright

© 2022 Author(s)

Licenza d'uso

CC BY 4.0

Licenza dei metadati

CC0 1.0

Informazioni bibliografiche

Titolo del libro

Les Demoiselles d’Avignon and Modernism

Autori

Maite Méndez Baiges

Opera sottoposta a peer review

Numero di pagine

148

Anno di pubblicazione

2022

Copyright

© 2022 Author(s)

Licenza d'uso

CC BY 4.0

Licenza dei metadati

CC0 1.0

Editore

Firenze University Press

DOI

10.36253/978-88-5518-656-8

ISBN Print

978-88-5518-655-1

eISBN (pdf)

978-88-5518-656-8

eISBN (epub)

978-88-5518-657-5

Collana

Studi e saggi

ISSN della collana

2704-6478

e-ISSN della collana

2704-5919

251

Download dei libri

154

Visualizzazioni

Salva la citazione

1.383

Libri in accesso aperto

in catalogo

2.567

Capitoli di Libri

4.133.292

Download dei libri

4.947

Autori

da 1047 Istituzioni e centri di ricerca

di 66 Nazioni

69

scientific boards

da 368 Istituzioni e centri di ricerca

di 43 Nazioni

1.300

I referee

da 393 Istituzioni e centri di ricerca

di 38 Nazioni