The article reflects on the scope of the genealogical-critical method in the edition of Lope de Vega’s theatre developed by the Prolope group over the last 30 years, considering the findings, problems and limits of the method. The importance of heuristics is highlighted, focusing on the editorial typology of the witnesses (the “parte de comedias”), and the multiple, cumulative nature of the methodology necessary to carry out the critical editions is underlined. The essay combines the theoretical perspective with the analysis of specific cases belonging to several plays, for which genealogical trees are proposed and from which the decisions of the editors are analysed. Last but not least, the chapter underlines the methodological validity of Stemmatics, its usefulness and its non-mechanical, but hermeneutic and historical character.
Autonomous University of Barcelona, Spain - ORCID: 0000-0002-6567-8299
Titolo del capitolo
Editar el teatro de Lope con stemma: sentido y lección
Autori
Gonzalo Pontón
Lingua
Spagnolo
DOI
10.36253/979-12-215-0751-5.03
Opera sottoposta a peer review
Anno di pubblicazione
2025
Copyright
© 2025 Author(s)
Licenza d'uso
Licenza dei metadati
Titolo del libro
Estemática: el Siglo de Oro por las ramas
Sottotitolo del libro
Actas del XVII Taller Internacional de Estudios Textuales
Curatori
Luigi Giuliani, Victoria Pineda
Opera sottoposta a peer review
Numero di pagine
264
Anno di pubblicazione
2025
Copyright
© 2025 Author(s)
Licenza d'uso
Licenza dei metadati
Editore
Firenze University Press
DOI
10.36253/979-12-215-0751-5
ISBN Print
979-12-215-0750-8
eISBN (pdf)
979-12-215-0751-5
Collana
Moderna/Comparata
ISSN della collana
2704-5641
e-ISSN della collana
2704-565X