Steinberg marked a gamechanger in the understanding of Les Demoiselles d'Avignon. The arguments with which Steinberg fought the limits of the formalist critics appear to have become unchallengeable from the 1960s on, the moment that Art History began to undergo a colossal transformation. Steinberg opened the doors wide to new critical focus on Modern Art. Among the doors he opened, were the biographical and psychological considerations about Les Demoiselles. This chapter presents a brief summary of the psychobiographic and contextualist interpretations of the work, including one of the most important by William Rubin who saw Les Demoiselles as a reflection of Picasso's psychosexual problems and presented unpublished documentation that would be of vital importance for future criticism and historiography.
University of Malaga, Spain - ORCID: 0000-0002-0762-7004
Titolo del capitolo
After Steinberg: Contextualist Interpretations
Autori
Maite Méndez Baiges
Lingua
English
DOI
10.36253/978-88-5518-656-8.06
Opera sottoposta a peer review
Anno di pubblicazione
2022
Copyright
© 2022 Author(s)
Licenza d'uso
Licenza dei metadati
Titolo del libro
Les Demoiselles d’Avignon and Modernism
Autori
Maite Méndez Baiges
Opera sottoposta a peer review
Numero di pagine
148
Anno di pubblicazione
2022
Copyright
© 2022 Author(s)
Licenza d'uso
Licenza dei metadati
Editore
Firenze University Press
DOI
10.36253/978-88-5518-656-8
ISBN Print
978-88-5518-655-1
eISBN (pdf)
978-88-5518-656-8
eISBN (epub)
978-88-5518-657-5
Collana
Studi e saggi
ISSN della collana
2704-6478
e-ISSN della collana
2704-5919