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After Steinberg: Contextualist Interpretations

  • Maite Méndez Baiges

Steinberg marked a gamechanger in the understanding of Les Demoiselles d'Avignon. The arguments with which Steinberg fought the limits of the formalist critics appear to have become unchallengeable from the 1960s on, the moment that Art History began to undergo a colossal transformation. Steinberg opened the doors wide to new critical focus on Modern Art. Among the doors he opened, were the biographical and psychological considerations about Les Demoiselles. This chapter presents a brief summary of the psychobiographic and contextualist interpretations of the work, including one of the most important by William Rubin who saw Les Demoiselles as a reflection of Picasso's psychosexual problems and presented unpublished documentation that would be of vital importance for future criticism and historiography.

  • Keywords:
  • Modernism,
  • Demoiselles d'Avignon,
  • William Rubin,
  • Art nègre,
  • Art & Psychoanalysis,
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Maite Méndez Baiges

University of Malaga, Spain - ORCID: 0000-0002-0762-7004

  1. Bois, Yve-Alain. 2001. “Painting as Trauma.” In Picasso’s Les Demoiselles d’Avignon, edited by Christopher Green, 31–54. Cambridge: Cambridge University Press.
  2. Caillois, Roger. 1960. Méduse et Cie. Paris: Gallimard.
  3. Cowling, Elizabeth. 2002. Picasso Style and Meaning. London: Phaidon.
  4. Deleuze, Gilles, and Felix Guattari. 2004. A Thousand Plateaus. Capitalism and Schizophrenia. Translation by Brian Massumi. London and New York: Continuum.
  5. Einstein, Carl. 2013. Picasso y el cubismo. Translated by Jürgen Dieffenthal. Madrid: Casimiro libros.
  6. Golding, John. 1958. “The Demoiselles d’Avignon.” The Burlington Magazine 100, no. 662 (May): 155–63.
  7. Green, Christopher. 2001. “’Naked Problems’? Sub-African Caricatures. Les Demoiselles d’Avignon, Africa and Cubism.” In Picasso’s Les Demoiselles d’Avignon, 128–50, Cambridge: Cambridge University Press.
  8. Krauss, Rosalind. 1981. “In the Name of Picasso.” October 16, no. 102  (Spring): 5–22. DOI: 10.2307/778371
  9. Mathews Gedo, Mary. 1980. “Art as Exorcism: Picasso’s ‘Demoiselles d’Avignon’.” Arts Magazine 55,  no. 2 (October): 70–83.
  10. Pearl, Lydie. 2001. “Portrait de Picasso en Demoiselle.” In Portrait en abyme, edited by Jacquie Barral, 59–65. Lyon: Ed. Aléas.
  11. Rubin, William. 1984. ‘Primitivism’ in 20th Century Art. Affinity of the Tribal and the Modern. New York: The MoMA.
  12. Rubin, William. 1994. “The Genesis of Les Demoiselles d’Avignon.” In Les Demoiselles d’Avignon, edited by John Elderfield, 13–144. New York: The MoMA.
  13. Schneider, Daniel E. 1947-48. “The Painting of Pablo Picasso: A Psychoanalytic Study.” College Art Journal 7, no. 2 (Autumn 1947-48): 81–95. 10.1080/15436322.1948.10795382
  14. Seckel, Hélène. 1994. “Anthology of Early Commentary on Les Demoiselles d’Avignon”, In Les Demoiselles d’Avignon, edited by Elderfield, 213–46. New York: The MoMA.
  15. Staller, Natasha. 2001. A Sum of Destructions. Picasso Cultures & the Creation of Cubism. New Haven and London: Yale University Press.
  16. Steinberg, Leo. 1988. “The Philosophical Brothel.” October no. 44 (Spring): 7–74.
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  • Anno di pubblicazione: 2022
  • Pagine: 49-66

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  • Anno di pubblicazione: 2022

Informazioni sul capitolo

Titolo del capitolo

After Steinberg: Contextualist Interpretations

Autori

Maite Méndez Baiges

Lingua

English

DOI

10.36253/978-88-5518-656-8.06

Opera sottoposta a peer review

Anno di pubblicazione

2022

Copyright

© 2022 Author(s)

Licenza d'uso

CC BY 4.0

Licenza dei metadati

CC0 1.0

Informazioni bibliografiche

Titolo del libro

Les Demoiselles d’Avignon and Modernism

Autori

Maite Méndez Baiges

Opera sottoposta a peer review

Numero di pagine

148

Anno di pubblicazione

2022

Copyright

© 2022 Author(s)

Licenza d'uso

CC BY 4.0

Licenza dei metadati

CC0 1.0

Editore

Firenze University Press

DOI

10.36253/978-88-5518-656-8

ISBN Print

978-88-5518-655-1

eISBN (pdf)

978-88-5518-656-8

eISBN (epub)

978-88-5518-657-5

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Studi e saggi

ISSN della collana

2704-6478

e-ISSN della collana

2704-5919

449

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