Deconstruction in the 19th Century (from the Natural School to Leo Tolstoy) and Fyodor Dostoevsky. The modern understanding of deconstruction arose from post-structuralism and implies distrust of semblance, the outward appearance of any ideology or structure, together with the search for a hidden interior. Dostoevsky renounces one-dimensionality and shows its deconstructing nature. He considers it a prejudice to believe that disclosing the hidden and forbidden has more “truth” in it, as is evident from his dispute with Tolstoy, who uses the principle of exposing the ignoble background of a supposedly noble national ideology to criticize the “defenders of the Slavic brothers” in Anna Karenina. Dostoevsky refuses to recognize the results of deconstruction (the denial of the declared) as the last and only version of the truth about reality. His approach can be defined as the “deconstruction of deconstruction.”
Tomsk State University, Russian Federation - ORCID: 0000-0002-9074-231X
Titolo del capitolo
Деконструктивные практики XIX века (от натуральной школы до Л.Н. Толстого) и Ф.М. Достоевский
Autori
Alexey Kazakov
Lingua
Russian
DOI
10.36253/979-12-215-0122-3.05
Opera sottoposta a peer review
Anno di pubblicazione
2023
Copyright
© 2023 Author(s)
Licenza d'uso
Licenza dei metadati
Titolo del libro
Ф.М. Достоевский: Юмор, парадоксальность, демонтаж
Curatori
Dar'ja Farafonova, Laura Salmon, Stefano Aloe
Opera sottoposta a peer review
Numero di pagine
222
Anno di pubblicazione
2023
Copyright
© 2023 Author(s)
Licenza d'uso
Licenza dei metadati
Editore
Firenze University Press
DOI
10.36253/979-12-215-0122-3
ISBN Print
979-12-215-0121-6
eISBN (pdf)
979-12-215-0122-3
eISBN (epub)
979-12-215-0123-0
Collana
Biblioteca di Studi Slavistici
ISSN della collana
2612-7687
e-ISSN della collana
2612-7679